We ran into Jimmy McMillan, aka Governor Santa Claus on Venus. The founder of the Rent Is Too Damn High Party was kind of enough to allow us to document the moment forever. BFFL.
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EyeBodega’s own Joe Perez got to shoot Fall Out Boy bassist Pete Wentz for Clandestine Industries’ new collection.
Kanine Records, Forest Family, Gorilla Vs. Bear, Father Daughter, & Eyebodega Presents:
The Pyramids, 32D S 1st Street @ Kent Avenue, Williamsburg, Brooklyn, NY
Thursday Oct. 21, 2010
6pm – 3am
$8 // It is an unofficial cmj party, no badge required!
2:00am Slow Animal
1:00am SPECIAL GUEST / NOT ANNOUNCED
12:00am Young Prisms
11:00pm Eternal Summers
10:20pm Marnie Stern
9:30pm We Are Country Mice
8:40pm Dent May
7:50pm Family Trees
7:00pm Luke Rathborne
6:00pm doors
Silkworm – (I Hope U) Don't Survive
FRIENDS OF FRIENDS group art show
Bands and art on both floors of Silent Barn!
ADVAITA
Tiberius
Manburger Surgical
Steer
Happy New Year
Le Sphinxx
Peace Pipe
DJs – Tip of the Root
Artists showing work:
Reginald Péan, Kira Sassano, Lehna Huie, Rebecca Kish, Chris Kovacsics, Andrew A Ashbrook, Wendy Chan, Liz Medina, Rob Chabebe, Simone Ver Eecke, Rose Glass, Nicholas S. Shifrin, Nicholas Sultana, Rebecca Flancraich, Olivia Katz, Slim Lopez, Karla Ramp, MK Britton, Kate Griffin, Michael Battaglia, Lani Combier-Kapel
Poster by Rob Chabebe
[ organized by Advaita ] [ hosted by SWD ]
RSVP on facebook: http://www.facebook.com/?ref=logo#!/event.php?eid=130880640275720&ref=ts
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2 color screen print
French Speckletone Cream paper
printed by Phil @ The Shallow End Press
“…A painter (now dead) once had a studio in the same loft building I was in. He would greet me in the morning with ‘Are you not mixing Zinc with your Titanium?’ If not, he warned me, it would turn black eventually. Once, at 4 A.M., leaving the Automat nearby, he waved his goodnight finger, saying ‘Never use Zinc yellow—it will turn green.’ I would hear him always going up to the roof with his samples of color on small squares, exposing his colors to the sun. I once got into his studio and saw nothing but color square samples. Not a painting in sight. Five years later I moved to another loft.”
Letter from Philip Guston to Ross Field [1980]
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